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Groovin’ the Moo, Canberra and Carlton Dry 3.5
First held in 2005, the Groovin’ the Moo has been growing size and popularity as a musical festival for alternative acts that is held in oddish locations. First held in Gloucester, the 2013 version has been through or will be held in Maitland, Canberra, Bunbury, Townsville and Bendigo. There’s a common line-up at all venues, with local bands opening. 6 bands played in 2005 – at least 27 bands appeared on the 2013. On the weekend, I effectively chaperoned 5 teenage girls to the 11 hour concert in Canberra. They were far more familiar with many of the Canberra line-up than I was, but there were enough acts to keep me interested.
The big names (those that I’d heard of anyway] included Regurgitator, the Kooks, They Might Be Giants, Tame Impala, Temper Trap and Flume. The first three acts, in particular were fabulous. The ‘Gurge were wonderful. They played at twilight and played during the setting of the sun. Their blend of thrash, tongue in cheek lyrics and ebullient stage craft simply delighted the crowd. A great Australian band – the crowd went beserk. They Might Be Giants played some new stuff, but wheeled out their big hit “Dr Worm” (but not “You’re not the Boss of Me”). Really, really solid set and great show men. The Kooks were simply awesome. They fed off the crowd enthusiasm and just rocked out.
The suprise act for me was Matt and Kim. I had absolutely no idea who these guys were. I’ve spent plenty of time since looking at their clips on YouTube and reading up on their history. Boyfriend and girlfriend, Matt and Kim put on one of the most unique and wild live performances I’ve had the pleasure to see. Matt plays a keyboard and Kim thrashes a very simple kit with the vigour of John Bonham. She takes it to a new level with multiple ascents of her bass drum to engage the crowd with foul mouthed exhortations and gyrations that have to be seen to be believed. Her venture into the crowd, standing on the hands of an adoring audience was visually stunning. Two people creating so much noise is remarkable, even if some of it is computer generated. If you ever see these guys playing near by – get out and see them.
The beer list was appalling. I was being the responsible chaparone so was grateful for the presence of some mid-strength beers, but gees – I may as well have drunk water. Carlton Dry 3.5 (apparently especially made for festivals) is the worst beer I’ve drunk. It’s water with some carbonation and light dusting of beer flavouring. I’m convinced that when a beer states on a label “Smooth Finish” it really means no discerbible flavour. Once ticked off, I actually moved to real water for the rest of the day.
Gentlemen of the Road – Dungog Stopover and Batlow Cloudy Cider
My 18yo travelled separately (funny that), but my other two daughters and one of their friends fanged it up to Gresford (where we camping) – pitched our tents and then got the shuttle bus to Dungog, which had added 12,000 people to its usual (about) 2,500 usual population. Dungog was heaving – both pubs were bulging – and the atmosphere was full of anticipation and bon homie. We arrived at the showground, secured a good spot (not hard) and then melted. 35 degrees celsius and the clearest of skies. The only missing was flies. It was a tribute to the concert-goers that I didn’t see a single person get carted off with heat excursion. The free water, sprinklers and the occasional spray from the fire brigade helped. That – and I reckon the crowd was filled with hardened festival goers that have endured Big Day Outs where temperatures have hit 40 degrees.
Thanks to Uncut Magazine I had heard a song from the first band – Husky. Husky are a very talented bunch of musicians with strong originals and their version of Leonard Cohen’s Lover, Lover, Lover was a ripper. I’d not heard of the next act – Willy Mason from Massachusetts – but he’ll be added to the iPod. Stripped back blues and folk – he was perfect for a time when it was hottest. My daughters were very excited by the next act. Matt Corby came to prominence on Australian Idol, but has developed into a JJJ darling and sells records. He’s gone very Jeff Buckley, which isn’t a bad thing and it was more about music than lyrics. The crowd loved him and went beserk during his hit “Brother“. I wanted to like the next act. Sarah Blasko is a highly regarded singer/songwriter in Australia. Each time I listen, though, I just can’t get into her. Same thing at Dungog. I’m missing something, because the crowd was supportive – but I ended up reading my newspaper.
Fortunately, nightfall saw the temperatures finally drop. The penultimate band was one that I had been really looking forward to – and they didn’t disappoint. Edward Sharpe and the Magnetic Zeroes (what a name!) are a 10 piece band that just play the most marvellous brand of rambling, foot-stomping flok rock. I would have been happy if they’d just opened with 40 Day Dream – and that’s what they opened with. They captivated the adoring crowd with a joyous, riotous performance and the interplay between lead singers Alex Ebert, Jade Castrinos and the audience was awesome. Any time horns come out is a good time and that is what Edward Sharpe et al is all about – the best possible time.
7 hours after the first act appeared, Mumford and Sons finally appeared. They’d come out during the day to welcome everyone and announce acts – but when they hit the stage the crowd noise would have been heard in Sydney. These guys are simply sensational performers and Australians just love them. It mattered not that they played new stuff, including a great cover of Paul Simon’s the Boxer – Mumford and Sons just go off. The obligatory encore occurred and the crowd enjoyed the almighty singalong that is “The Cave“. All artists returned for a raucous version of Fleetwood Mac’s The Chain – and it was all over. Just wonderful. What was remarkable was how well it all went. The vibe all day and all night was just so good. I saw almost no signs of aggro (despite some long queues) – it was just happiness central.
Now to the obligatory drink review. When it’s 35% and the sun is bearing I’d just about drink my own urine if it was cold. Fortunately that wasn’t necessary the organisers had a simple but straightforward approach to beverages – 2 Batlow Ciders and 3 Coopers. It’s probably quite sensible to lay on a Mild and Light and even though it wouldn’t be my normal choice – the Coopers Mild was a perfect beverage for the conditions. The Batlow Ciders were on tap and I gave the Cloudy a good nudge – great stuff and this will get another run this summer.
Congratulations to all involved. It might have been Dungog’s first music festival – hopefully it won’t be the last.
I’ve Never Seen a Man beat the Snake before
Bruce Spence, gyro captain, famously uttered these words out the back of Broken Hill as Max beat the snake to get at the choppers fuel tanks….Dave Faulkner did the same to the muso’s of Snaketide earlier this year.
Back in February, Rat Faulder of Snaketide and part-time snake, Russ Clarke were joined on stage by Dave Faulkner of the Hoodoo Gurus. Dave can be seen here ripping into the final throws of …..a thousand ….a thousand ….a thouSAND MILES AWAAAAYYYYY hey hey hey…a thousand…
In the photo on the left your botfa correspondant is at rear holding the sax doing the falsetto backing vocal…..and leaning in to some emotion at right, with the Rat picking strings and teeth in tandem.
Tuborg Green, DAB and Bob Geldof
BotF was very excited when Tony from Toowoomba graced our shores and indeed the Back of the Ferry. Swept up in the excitement was a review of Tuborg Green, which upon reflection was very terse and very harsh. With it still being on special at Mr Liquor at Circular Quay, we decided to give it another go.
It certainly isn’t “crap”, but it is also not memorable. Very Euro and very malty. On a hot day, this would be eminently sessionable and if it remains on special at Mr Liquor it may get another run. Tuborg is a Danish beer that was founded in Copenhagen. It has been subsequently been taken over by Carlsberg but has maintained very strong independent branding and is extremely popular throughout Europe. They make a big deal about their “innovative” ring pull top, but Coopers gave that up years ago when they realised the quality of the beer was more important.
Without any segue at all, I have to report that I saw Bob Geldof live on Sunday night and got to hear I Don’t Like Mondays. Bob was not that keen to perform but really nailed it. He then performed a rollicking, Springsteenesque version of Rat Trap that demonstrated the quality of his band. A stand out was Vince Lampard, his fiddler, recorder player and back up singer – whose string vest will live in my memory for some time.
Tuesday night on the BotF was a pretty wet and windy evening. It is starting to get to the time when you start to warm yourself up on the inside to ward off the cold and a 500ml German will do the trick. DAB stands for Dortmunder Actien Brauerei and the beer is as perfunctory as the name. Yah – it is a beer from Dortmund, it is alcoholic and it is wet. It ticks all the boxes and comes in a 500ml can – but with cheaper similar drops – this might be the one and only run for DAB on the BotF.
Wednesday’s trip home was bliss. Sydney’s grip on warm weather is being well and truly prised open, but tonight, whilst not balmy, was clear and temperate. The 5.30pm is definitely the best for eye candy with the sunset looking wonderful this evening.
Hawkwind percolates Manning Bar
Hawkwind got their name from founder Nik Turner’s unappealing habit of clearing his throat and farting at the same time. Dave Brock is the only founding member still in the band that was formed over 40 years and at 69 is looking pretty fit for an old acid head. The band has had over 30 members including renowned science fiction author Michael Moorcock and 6’2″ tall, 52″ busted, Stacia who performed naked interpretive dance and joined the band because she was available at the time.

Well I was a big fan of ‘Space Ritual’ back in the vinyl era and was joined by a few hundred aging hippies, punks and alternatives at the Manning Bar, Sydney University to have a look at the band that is credited as linking the hippie and punk cultures.
A couple of excellent interpretive dancers (thankfully not Stacia who must be 60) provided great entertainment while the old blokes belted out the riffs. More visuals projected on a back screen were fresh from Kubrick’s 2001.
Manning Bar has a good beer range but $7.50 for a plastic cup of James Squire Golden Ale is a bit rich for this punter.
Overall a great show and a night to remember although a bit disappointed that they didn’t play Orgone Accumulator
Toohey’s Extra Dry Platinum, Dave Faulkner solo and Snaketide
Freshwater Surf Life Saving Club was the venue for Snaketide‘s latest performance. The Freshwater SLSC is a sensational venue with ocean views, a big room for the band and plenty of areas to get away from it if you need to. The right sized crowd for the venue had assembled and Snaketide put on two outstanding sets.
The theme of the evening -a fund raiser for the Captain Courageous Bone Marrow Failure Research charity – was 80′s beach party. Your correspondent hasn’t thrown out much of his stuff from that era and it wasn’t a stretch. I’m not sure what beach the Snaketide boys went to in the ’80s – but glam metal was more the look achieved. I don’t think any musician has achieved the look adopted by Tarants, Snaketide’s 6th and best bass-player, but it will stick in my mind for some time. Derek Smalls would have been in awe.
Splitting Snaketide’s two sets was an appearance by one of the greatest songwriters and performers Australia has ever produced. He performed “My Girl” and “Like, Wow, Wipeout” with some of Snaketide and then gave a solo rendition of “Come Anytime” and the Gurus greatest tune (in my humble opinion) “1000 Miles Away”. Despite the burden of coming back after Dave Faulkner, Snaketide produced a barnstorming finish and their closing trifecta always cheers the punters – First Date, Mexico and Overdrive. Listen to Mexico on Unearthed.
An occupational hazard of performing live is getting the pre-game Dutch Courage balance correct. It was a gamble to go with a stubbie of Toohey’s Extra Dry Platinum, given its powerful 6.5%, but that was balanced later with a few stubbies of appalling Blue Tongue Premium Light. This beer’s a bit of mystery. It has no web presence other than a blurb on the Lion Nathan brands page, and I can’t recall any advertising for it. Its baby brother, Toohey’s Extra Dry or TED, is the 5th biggest selling beer in Australia and has a trendy (but crappy) interactive site. Hard to work out why they are quiet about it. It’s no worse that TED and you can actually taste the extra kick. A couple of BotF’s shared an 8 pack (not a misprint) when the Manly Ferry was taking almost 40 minutes due to wharf repairs and we both knew we’d been on a ferry trip.
Moritz, Hansa and Snaketide rehearsing well
BotF can report first hand that rehearsals for Snaketide’s big gig on Saturday 12th February at Freshwater SLSC are going very well. This correspondent sat in on a couple of songs and the boys are hitting their stride and will be in full cry come Saturday night. There’s still tickets available and if you are interested let me know via comments.
When playing saxophone it is always important to keep one’s embouchure wet and supple. First up was the third of the trio of beers snaffled from Brunswick. I really, really wanted to like this beer – Moritz. A great bottle-top, a great logo, a great story about the founding of the beer by an Alsatian immigrant and its maintenance by 6 generations pre-dispose one very favourably. The website doesn’t compromise either offering only Spanish or Catalan. Disappointingly, this wasn’t good. An inoffensive first taste went downhill rapidly with a really metallic after taste.
In 1856, an Alsatian by the name of Louis Moritz moved to Barcelona and started a beer called Moritz. The brewery went broke in the ’70s and was restarted a few years ago by descendants of Mr Moritz, albeit in Zaragoza. It looks like they’ve spent more time on the website than on the beer. Give it ago and make up your own mind – but I’ve only ever seen it once.
The rehearsal was long and embouchure moisture needed to be maintained. The second beer called to this noble purpose was a German beer called Hansa. Apparently if you want cheap piss in Germany, Hansa’s the go. That hasn’t translated to its cost in Australia, where a case is $69. That said, a case of Henninger is $32 (330ml), where as 24 500ml bottles of Hansa is $69 – so the difference is not as marked as it first appears. If its a cheap beer, its a pretty good one. Now owned by the Dortmunder Actien Brauerei the brand lives on as a cheapie and has been widely exported and is brewed in weird places like Namibia. This was a good solid Euro beer – pretty clean and good bitterness.








































